In Panel Panopticon, Nick Hanover and friends talk about the comics they’ve picked up for the week, good, bad or otherwise. Most of the releases I picked up this week were either middle issues or just didn’t fully grab my attention, so fuck it, I’m dedicating this week’s Panel Panopticon to some newer stuff on […]
My Kingdom for a Horse: Translucid #1 Explores Hero/Villain Codependency
Translucid Written and Created by: Claudio Sanchez and Chondra Echert Illustrated by: Daniel Bayliss Colored By: Adam Metcalfe Lettered By: Ed Dukeshire Publisher: Boom! Translucid is a tale of codependency. Not a tale of a man and woman sharing a codependent relationship, but an otherwise unspoken tale of codependency between a hero and his arch […]
Aw Geez: Is the New Fargo Series a Worthy Inheritor to the Coens’ Original?
Like a lot of people, I was perplexed when I first heard Fargo was being remade as a tv miniseries (technically re-remade, since it already spawned one unaired pilot). One of the Coen Brothers’ best workers, the film doesn’t exactly lend itself to further exploration with its relatively high body count and stark ending. Beyond […]
Whatever I Feel Like: Odonis Odonis’ Hard Boiled Soft Boiled Explores Multiple Facets of Indie Rock
A little while ago, a booker I know was complaining about bands using the term “indie” when describing their genre. The booker’s point was that it’s too nebulous a term to really mean anything anymore, and a friend of mine chimed in to confirm that “indie isn’t a genre, it’s a business model.” I might […]
Advance Review: Genesis (Image Comics)
I don’t scour Previews to see how frequently it happens, but if I had to guess, the square-bound 64-page comic is a rarity these days. Complete with ISBN, this is the kind of low-priced release that is targeting the bookstore-driven sales records like New York Times Best Sellers lists with tactics that have worked pretty […]
Second Chances: Nicolas Cage Proves He’s Still Got It with Joe
It’s fitting that Nicolas Cage’s reputable acting career is getting yet another second chance through a film all about second chances. David Gordon Green’s Joe, the eclectic director’s first collaboration with the even more eclectic Cage, is a slow burning exploration of masculinity and poverty in the South based off a novel by Larry Brown that details […]
Reviews in the Panel Panopticon: Shutter, Iron Fist, Lumberjanes and More
In Panel Panopticon, Nick Hanover and friends talk about the comics they’ve picked up for the week, good, bad or otherwise. This week, Dylan Tano joins in. Shutter #1 Writer: Joe Keatinge Artist: Leila Del Luca Colorist: Owen Gieni Letterer: Ed Brisson Published by Image Comics Joe Keatinge’s work frequently deals with characters who have […]
TV Review: Silicon Valley 1.01 “Minimum Viable Product” (HBO)
1.01 “Minimum Viable Product” When I caught the premier of Mike Judge’s new HBO series Silicon Valley at SXSW last month, I said it was one of “the most promising plot driven comedies to hit HBO in ages” and after watching the pilot debut on tv last night, I’d like to correct that statement: Silicon Valley is one of the most […]
The NSA Took My Baby Away: Fighting for Personal Freedom in Captain America: The Winter Soldier
There’s a reason why most action films situate their heroes as rogues, combating authority even as they’re saving the day. Larger than life figures gel with audiences when there’s something to ground them and while most audiences probably don’t know what it’s like to, say, save a business tower full of hostages on your day […]
Anatomy of a Page: Ulises Farinas’ Judge Dredd: Mega-City Two #3
Comics are a visual medium, but so often criticism of the medium hinges on narrative, ignoring or minimizing the visual storytelling and unique structures that make comics so different from cinema and photography. We’ve decided to change that up with a feature in Loser City that we’re calling anatomy of a page, in which we explore pages […]








