Sometimes, for whatever reason, great art slips past audiences and remains woefully underappreciated. Which is why we’ve created an essay series called Fossil Records, devoted to helping people discover lost and obscure work that never got its due. Today, we look back at Gina X Performance’s innovative debut LP Nice Mover, a seminal work from a group that had a […]
Twitterpocalypse Now: Cormac McCarthy’s The Feed
Twitterpocalypse Now continues, with Kim O’Connor and Nick Hanover providing commentary on the collapse of Twitter in real time. You can read the first installment here at Loser City and for episode two, head over to Kim’s blog The Shallow Brigade. Nick Hanover: Well, Kim, it looks like the end has finally come. After playing chicken with […]
Git Out: Torn Hearts and the Horrors of the Music Business
In the pilot episode of Mike Judge’s sorely underrated music history series Tales from the Tour Bus, Judge explains he wanted to do the show because he found it funny that conservatives constantly bemoaned the violent, drug-fueled antics of gangster rappers when so many country legends were just as wild, if not worse. Any good student […]
Twitterpocalypse Now: The Lulz
Nick Hanover: Hello and welcome to the first installment of Twitterpocalypse Now, an ongoing correspondence between two people who have been embedded on the battleground that is Twitter for perhaps too long. It’s been a whirlwind month here on Twitter, beginning with Elon Musk asking bestselling novelists how much they’d be willing to pay for […]
A Million and One Places to Go: Revisiting the Art of the Hustle in Susan Siedelman’s Smithereens
Do you have a picture in your head of New York? Does it come from real life? Or the memory of art? I know the New York I see when I close my eyes. It is rooted in history but still basically myth, culled from photographic histories of the births of punk and hip hop, […]
Butt Muscles and Baby Squirts: On Christeene and Cultural Sensitivity
As a long time fan of her material, I got a thrill out of seeing a profile on Christeene, a self-described “human pissoir of raw unabashed sexuality,” in the Austin Chronicle this week. There’s no real comparison for Christeene or what she does but a rough description might go something like “if John Waters and […]
Yellowed Pages: Foolkiller
Today in Yellowed Pages we explore the bizarre, shocking Foolkiller, a 1990 Marvel maxi-series by Steve Gerber and J.J. Birch that is either a searing condemnation of white male rage or an over-the-top anti-PC fantasy, depending on how you look at it. Mainstream comics in the early ’90s were a mess, no matter how you look […]
Moodie Black’s Lucas Acid is an Unflinching and Powerful Album of Trans Anthems
Late into Moodie Black’s new album Lucas Acid, MB mastermind K Death growls “I ain’t really screaming/There’s no pain” and there’s a good chance you’ll think this is a lie based on what you hear around it. After all, Moodie Black are pioneers of noise rap, a subgenre defined by unholy howls, a scene with cacophony in […]
Vs #1 is a Captivating but Muddled Exploration of War as Entertainment
Almost exactly two years ago, Image Comics teased Ivan Brandon and Esad Ribic’s “space gladiators” series Vs, whetting the appetites of sci-fi fans looking for some Heinleinian exploration of military evolution to offset the wave of post-apocalyptic and cyberpunk works that had taken over the genre. That wave is still rising, if anything it’s grown larger, […]
Three Billboards and the Exploitation of Black Activism
Around the midway point of Martin McDonagh’s new film Three Billboards Outside Ebbing, Missouri, Frances McDormand’s righteously angry Mildred heads to work, only to find a post-it note on the door from her co-worker Denise (Amanda Warren) reading “I’ve been arrested :(” Mildred is immediately aware that Denise’s arrest is because of Mildred’s war against the […]
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