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  • Nona Lippi (4)
  • Ray Sonne (3)
  • Ryan Darbonne (2)
  • Ryan Lindsay (18)
  • Shea Hennum (7)
  • Tom Speelman (17)

Monthly:

  • July 2019
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Recent Posts:

  • Let’s Do the Panic Again: Phantom Planet Returns
  • Learning to Appreciate Life in Jim Jarmusch’s The Dead Don’t Die
  • 10 Underrated Albums from 2018
  • A Million and One Places to Go: Revisiting the Art of the Hustle in Susan Siedelman’s Smithereens
  • Happy Rhodes’ Ectotrophia is a Gumbo of Moody 80s Musical Staples
  • Butt Muscles and Baby Squirts: On Christeene and Cultural Sensitivity
  • Yellowed Pages: Foolkiller
  • Moodie Black’s Lucas Acid is an Unflinching and Powerful Album of Trans Anthems
  • Friendship is Key to Survival in Katherine Lang’s Soul to Call
  • Here’s an Idea for a Funhouse: Pay the Damn Cartoonists
  • We’re Just Making This Movie So That We Don’t Get Fined: On Zack Snyder’s DC Comics Film Adaptions – Part 1
  • Vs #1 is a Captivating but Muddled Exploration of War as Entertainment
  • Bingo Love has Laudable Aims but Its Storytelling Falters
  • Last Action Cinema: The Devil’s Express
  • Anarchist Cody Wilson Takes on the Government in The New Radical
  • Unsung Genius is on Display in Bombshell: The Hedy Lamarr Story
  • Three Billboards and the Exploitation of Black Activism
  • On Eddie Berganza and the Misperceptions of Wrongful Dismissal
  • Dhani Harrison Plots His Own Path With Solo Debut In///Parallel
  • “Long Lost” #1 has the Creeping, Eerie Pace Every Horror Comic Needs
  • Katie Skelly and the Vampiric Principle of Self-Discovery
  • Why So Angry: Refusing to Forget Stories of Abuse
  • Hazel Newlevant’s Sugar Town is as Sweet and Pleasant as Its Name
  • Open Mike Eagle’s Brick Body Kids Still Daydream is a Fearlessly Self-aware Work
  • Devin Faraci and the Cost of Unearned Second Chances
  • Comics Aren’t Their Creative Process
  • Boston Terriers and Desert Vibes: A Conversation with Jay and Sanders Fabares of “The Pale”
  • Winnebago Graveyard Offers Ample Thrills but Needs More Space to Tell its Story
  • The Deuce is New York at its Ugliest and Most Captivating
  • Made Men is Too Poorly Stitched Together to Stand On Its Own
  • Pop Rehabilitation: Jawbreaker
  • In Sarah Nelson’s Daniel, Toxic Masculinity is Vampiric
  • The Difference Between Secret Empire and Nightwing: New Order is Only One of Them is Actually About Naziism
  • Patti Cake$, Brigsby Bear, Logan Lucky and the New Sincerity in Film
  • Dystopic Homesick Blues: Series 7: The Contenders
  • 11 CBR Exclusives We’re Down to Hulk If You Know What We Mean (We Mean Sex)
  • The Dicks’ Kill From the Heart has Only Gotten More Important with Age
  • Comics (Critics) Should Be Decent: Yet Another Discourse About Discourse
  • Can Mister Miracle Escape a Flawed Premise Scot-Free?
  • Misfit II is Martis Unruly at His Clearest and Most Ferocious
  • Fluid Exchange: I Roved Out by Rupert Everton
  • Comics Needs to Call Out Harassment by Pros as Often it Does with Fans
  • Respect My Authority: 20 Years In, South Park isn’t Satire, it’s the Status Quo
  • The Scream: Remembering Chester Bennington’s Voice and Why It Connected with so Many
  • Running Blood is a Thrilling Mash-Up of Vampires and Grand Theft Auto
  • Europe Endless: Spooks Vol 1: The Fall of Babylon by Rossi, Dorison and Nury
  • Why Does Image’s Vision of the Future of Comics Mostly Center Around Exploiting Queer Voices?
  • Visual Domination: Angelina Jolie’s Sexual Power in Mr and Mrs. Smith
  • What Conversation is Image Actually Willing to Listen to with Divided States of Hysteria?
  • Pop Rehabilitation: Constantine
  • B L A C K I E’s Remains Channels the Collective Rage and Pain of the Oppressed
  • Garbage Night is an Expressive, Emotionally Rich Post-Apocalyptic Work
  • Questionable Comics: Becky & Frank and Rachael Stott
  • The Night Driver is a Stylish 21st Century Twist on The Tell-Tale Heart
  • Satellite Falling is Action Packed Sci-fi with an Important Message
  • Questionable Comics: Andy Schmidt and John Lees
  • Questionable Comics: C. Spike Trotman and Aud Koch
  • Judging the Book By Its Cover: White Jazz by James Ellroy
  • 22 Representatives Up for Reelection in 2018 and How Much They Were Paid to Vote Yes on AHCA
  • Why Marvel’s Secret Empire Messaging Matters More Than How the Story Ends
  • Below Her Mouth is Yet Another Disappointing Film About Lesbian Experiences
  • Low-Budget Disaster Drama Meets High School Comedy in Dash Shaw’s My Entire High School Sinking Into the Sea
  • Questionable Comics: Irene Koh and Artyom Trakhanov
  • Silicon Valley Would Be a Lot Better if it Stopped Giving White Male Mediocrity So Many Passes
  • Image Comics’ Plastic Makes One Wonder if the Future of the Medium is as Dead-Eyed as a Realdoll?
  • “The Pale” is a Strong, Character Driven Mystery
  • Questionable Comics: RJ Casey and Eric Grissom
  • Dirt Creek Runs with Blood Breathes New Life Into Vampire Fiction
  • The History of Rock & Roll Vol. 1 is a Disappointingly Dry Rundown of a Rowdy Genre
  • Questionable Comics: Steve Lieber and Chandra Free
  • Spencer & Locke Only Succeeds at Revealing the Shallowness of Nostalgianoir
  • Zac Pennington and Brian Lawlor’s Always and Only the Lonely is a Beautiful Examination of Suffering as Art
  • Black Cloud #1 is a Promising Political Fantasy Bogged Down by Exposition
  • Drugs & Wires is a Clever and Flashy Cyberpunk Alt-history
  • Supergirl And Mon-El Deal With Lies And A “Distant Sun”
  • Questionable Comics: Boy Akkerman and Iain Laurie
  • Crime Beat: On American Crime and the Terror of Desire
  • Dueling Auteurs: Kong: Skull Island vs Godzilla
  • All Time Comics: Crime Destroyer is an Incompetent, Garish Insult to Readers
  • The Brand New Testament Is A Surreal, Inventive Take On Mortality And God
  • Crime Beat: American Crime “In the System” is a Little Too Narratively Utilitarian
  • Crime Beat: Network Television’s Best Show is Off to an Expectedly Promising Start
  • Rising Sand is a Gorgeous, Intriguing Epic
  • Dystopic Homesick Blues: Scout: The Four Monsters by Tim Truman
  • Supergirl Deals With An “Exodus” And A Whole MESS Of Feelings
  • Questionable Comics: Paul Tucker and Stefano Gaudiano
  • Extremity Manages to Make Dismemberment Poetic
  • My Life as a Zucchini is an Uncynical Take on the Orphanage Story
  • Questionable Comics: Michael May and James Maddox
  • Future’s New Album is an IKEA Couch of a Record
  • Questionable Comics: Matthew Dunn and Alex Cormack
  • ‘Hamilton’ References Abound, Everyone Has Love Problems and Supergirl Tries To Avoid ‘Mr. and Mrs. Mxyzptlk’
  • Supergirl Deals With Confusing Emotions and White Martians In “The Martian Chronicles”
  • Judging the Book By Its Cover: Geek Love by Katherine Dunn
  • Champions of Good Times: An Interview with Seattle Duo Sisters
  • Pet;Wolf, BLXPLTN and Seizing Fascist Imagery to Use it Against Itself
  • Legion is an Enthralling, Perpetually Shifting Twist on Superheroes
  • Dystopic Homesick Blues: The Postmortal by Drew Magary
  • Hawaiian T-Shirt Make Music for Punching and Dancing on Their New EP
  • Exclusive: The Full Track List of Songs Cut from Anohni’s Paradise

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Comics, shows, a secret critical network -- we aim to fail big.

Danny Djeljosevic: Co-Founder

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Contributors: Nate Abernethy, John Bender, AJ Bernardo, CJ Camba, Liam Conlon, Daniel Elkin, David A. French, Rafael Gaitan, Dylan Garsee, Stefanie Gray, Johnson Hagood, Shea Hennum, Zak Kinsella, Austin Lanari, Marissa Louise, Francesca Lyn, Chase Magnett, Justin Martin, Diana Naneva, Claire Napier, Joshua Palmer, James Pound, Mike Prezzato, Lars Russell, David Sackllah, Keith Silva, Nicholas Slayton, Carly Smith, Ray Sonne, Tom Speelman, Mark O. Stack, Dylan Tano, Mason Walker

Art

Why So Angry: Refusing to Forget Stories of Abuse

Poetry: My God, My World

Comic Cinema Club: Sorcerer by Rafael Gaitan and Mike Prezzato

Nonfiction: Progeny in Crisis by Kayleigh Hughes

The Persistence of Synergy: Scenes from the Stock Business Photo Prison Hellscape

More Art

Interviews

Dhani Harrison Plots His Own Path With Solo Debut In///Parallel

Boston Terriers and Desert Vibes: A Conversation with Jay and Sanders Fabares of “The Pale”

Questionable Comics: Becky & Frank and Rachael Stott

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