About midway through Nikias Chryssos’ debut feature film Der Bunker, Pit Bukowski’s anonymous boarder asks the Jack-esque “child” Klaus (Daniel Fripan) he has been pressured into tutoring to stop playing the organ. Klaus, decked out in an outfit that would have looked right at home on Pet Sematary’s Gage, turns and asks “Too fortissimo?” It’s an extremely odd moment […]